The world of The Manhattan Projects is a deeply mad one.
However, the story of The Manhattan Projects is really the story of the Projects themselves, the secret history of how the men that led them shook themselves free of the American government and became forces to be reckoned with both on the Earth and in interstellar politics.
On the surface, this premise would suggest some manner of sci-fi comedy procedural, a sort of Atomic Robo with a body count. The Projects themselves are manned by the great men of mid-twentieth-century physics and space travel, men like Albert Einstein, Enrico Fermi, and Richard Feynman, but each has been distorted into a warped caricature of their historical selves. The basic premise of The Manhattan Projects, outlined on the cover of every issue, is that the American project to build the atomic bomb during the Second World War was merely the public face for a number of other, more esoteric experiments in all manner of comic-book science. It's the perfect summary of The Manhattan Projects. In the final pages, in a flashback, Robert Oppenheimer has his heart torn out of his chest and devoured by his insane twin brother Joseph, who goes on to assume his identity.įrom history to super-science comedy to horror. Midway through the issue, the two fight a pitched gun battle against an army of samurai automatons storming the War Department building in Washington, DC.
Oppenheimer before appointing him the civilian head of the Manhattan Projects. The first issue of The Manhattan Projects, the ongoing comic series penned by Marvel scribe Jonathan Hickman, begins in 1942 with General Leslie Groves conducting a final interview with Dr.
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